#75, November 10, 2005
Of Epigrammatology
Non, Je ne regrette rien, except…
I have one great regret regarding my essay, “Making the World Safe for American History,” which was published in Antoinette Burton’s edited volume, After the Imperial Turn (Duke, 2003). It has nothing to do with anything that might substantially alter the content of the essay. I would not want to change my analysis much, though I am sure there must be something problematic in what I have to say somewhere in the essay.
Indeed, the essay seems to have had very favorable responses. One hears through the grapevine that some such fellow really liked it, but funnily enough one hears less frequently directly from the people themselves. C’est la vie. It doesn’t seem to lead to invitations to give lectures or the like, even while the targets of the essay itself seem to be fęted across this fair and meritocratic land of ours. But, there are no regrets on that score either. Indeed, when one gets a review in The Historical Journal from a historian as smart as Susan Pedersen at Columbia University (and we know that she is smart, not just from the well-written and thought-provoking review of the whole volume, but because she liked my work!), then it brings a smile to one’s face that almost makes one forget the regret associated with the essay.
For, Professor Pedersen writes that there are a number of “gems” in the volume dealing with historiographical and interpretive battles. And, she continues,
my favourite essay among this
group is Robert Gregg’s splenetic and very funny skewering of the recent
endorsement of an ‘international turn’ by the doyens of the Organization of
American Historians (‘Making the World Safe for American History’), a ‘turn’
whose muddle-headedness he finds captured perfectly in a recent invitation-only
meeting to discuss this project held (as all good conference-cum-boondoggles
should be!) at the Villa La Pietra in
Who wouldn’t enjoy reading that about their work?
Nonetheless the work itself is a disappointment to me. Just look at the epigraphs in the piece. I use one from the album “Who’s Next,” but I could have used one so much better from the same song (“Won’t get fooled again”). I was in the car the other day and these lines came floating over all those annoying engine sounds:
And the world looks just the same,
And history ain’t changed….
Damn! How could I have missed those lines.
Well, I feel a little better now.