#24, December 10, 2003
Traversing Clio (7)
Beyond Poetry
At the beginning of the twentieth century, it was possible for a poet like Wilfred Owen or Siegfried Sassoon to write poetry that would be searing, that would grab the reader, make her sit up in her chair, and really feel, as if for the first time, the pain, the anguish, the needless suffering, the stupidity of war.
But words no longer suffice. At the beginning of the new century, it has all been heard and seen before. Sometimes an event will be so horrific that it will reach people’s attention, but this will just be one act in a continuing stream that is the barbarity of peace and “normalcy.”
When it comes
to war, no stories, no poems, will any longer provoke an audience. Even the words of the
So when nine children on one day, and six children on another day, are killed by American troops in Search and Destroy missions against the Taliban, who will take up the pen, or reach for the keyboard, to create a poem in memory of the lost children? No one. The words would just sound like clichés, or they might even be maudlin in the face of so much death and destruction; perhaps they would appropriate the lives of the children for political purposes, or, whatever they tried to do, give the deaths a meaning that the utter futility of their foreshortened lives would deny.
You cannot write a poem
For children
Who have been killed
In
Where?
In
To safeguard
American values.
It cannot
It should not
It Will not
BE DONE