#22, December 3, 2003
Designs against Historians
About fifteen years ago, I
met a very interesting person named Marina Wikramanayake Fernando, a professor
of International Relations at the City College of New York. She was a friend of my mother-in-law and had
worked with her briefly on a Save the Children project in
It was a very compelling
discussion, at least from my perspective.
Her prime focus had been the free black community of
I remembered this
conversation early in 2002, when I came across a review written by Jon Wiener
in The Nation focusing on a “new
verdict” about the Vesey conspiracy. [“
On seeking out Johnson’s
articles in The William and Mary
Quarterly, I found that Fernando’s book was curiously omitted from the
author’s discussion of previous attempts to debunk the Vesey myth. He did mention Richard C. Wade, who had been
a mentor of Fernando and who had been discredited earlier, and he did cite World in Shadow, with the appropriate
page numbers for the Vesey argument, in the “further reading” section of his
article. This was curious because as a
leading scholar of free blacks in South Carolina Johnson must have been well
aware of the book’s contents. This added
a further layer of irony, too, since an argument that had been erased in the
first place, was now being erased once again in the recuperation of the
historiography. I do not feel that there
was anything sinister here, however.
Johnson’s argument in my opinion is drawn in large measure (rightly or
wrongly) from his savaging of Designs
against Charleston; yet in preparation for the task of reviewing this book
and the other works on Vesey it is highly unlikely that he didn’t revisit the
argument Fernando had made regarding the conspiracy.
The manner in which this earlier thesis itself becomes a “shadow” and is erased in Johnson’s article speaks volumes about who is authorized to speak among Americanists in the discipline of history. As a Sri Lankan woman, albeit one trained at University Wisconsin-Madison, Marina Wikramanayake (as she was then) was clearly not going to receive widespread praise for such an exposée back in 1973, when most African Americanists were endeavoring to counter the influence of Stanley Elkins and Daniel P. Moynihan (even if someone as prominent as Nathan Irvin Huggins recognized the work’s significance in his foreword to the volume). But now, at least, we should give Professor Fernando some of the credit for this interpretation of the conspiracy.
However, there is a
difference between the two theses propounded by Fernando and Johnson. While they may have the same point of origin,
one whereby, according to Wikramanayake, the irony was “that plotter and victim
should reverse their roles,” their explanations of this role reversal are of a
different order. Johnson makes the claim
that there are political reasons explaining the actions of leading whites who
went after the black “conspirators”. And
it is certainly true that many people were advanced politically in the process,
and that few were able to challenge them and bring sense to the proceedings and
so halt the virtual massacre that ensued.
By contrast, Wikramanyake’s work seems to bear the marks of an
understanding of colonialism and its forms of governmentality, which may have
come from her experiences growing up in British Ceylon/Sri Lanka. While she preceded Ranajit Guha by many
years, she seems to have suggested the same things about colonialism and
similarly oppressive systems of government that he did when he talked about the
need to understand the role of anxiety in colonial rule. Clearly, for Wikramanayake, anxiety was at
the heart of the story. While Johnson
seems to want to discount the importance of black resistance in his account,
suggesting that it was largely white fabrication, she ties the events to the
growing visibility and strength of the African Methodists in the city and the
anxieties this provoked – with good reason.
If there was a conspiracy, she would argue, it was one that was intended
to go after the likes of Morris Brown who would find it necessary to flee north
to
Indeed, for the clearest and
most accessible account of the perpetration of this judicial murder, readers
should turn to A World in Shadow.
Grounded in a history of the free blacks of Charleston and, in particular, the
importance of the recently founded African Methodist church in the city, this
work reveals better than Johnson’s laborious perambulation through the court
documents (with its designs against the work of other historians) why it was
that members of the white elite were sufficiently anxious that they would
resort to this judicial mass murder.
© Rob Gregg, 2003